Go Down, Death!
Why this pick
Williams again blends Black church life, melodrama and a vivid struggle between moral conviction and corrupting forces, with the same direct, handmade devotional intensity.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Williams again blends Black church life, melodrama and a vivid struggle between moral conviction and corrupting forces, with the same direct, handmade devotional intensity.
Why this pick
A richly stylized Black musical fable in which a man’s soul is contested by heavenly and infernal figures; it shares the spiritual allegory and expressive supernatural imagery.
Why this pick
This early Black musical drama centers religious revival, temptation and redemption, pairing emotionally unguarded performances with an unusually forceful sense of spiritual conflict.
Why this pick
Burnett brings a more intimate, modern realism to a family threatened by an uncanny visitor, while retaining the folk belief, moral atmosphere and quietly supernatural tension of Williams’s film.
Why this pick
Though less fantastical, Micheaux’s independent race-film drama shares The Blood of Jesus’s resourceful visual economy and its serious engagement with Black self-determination, danger and moral resilience.
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01 / THE STORY
Razz accidentally shoots his wife Martha when his hunting rifle drops on the floor and discharges. The church congregation gathers at Martha’s bedside to pray for her recovery, and during this period an angel arrives to take Martha’s spirit from her body, but she is tempted by the slick Judas Green, who is an agent for Satan.
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02 / FACES IN THE FRAME
Sister Martha Ann Jackson
Razz Jackson
Sister Jenkins
Sister Ellerby
The Angel
Satan
Judas Green
Rufus Brown