Nine Queens
Why this pick
Bielinsky’s earlier Buenos Aires con-film has the same precise, deceptive construction and mounting unease, with ordinary spaces turned into a tightly controlled criminal maze.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Bielinsky’s earlier Buenos Aires con-film has the same precise, deceptive construction and mounting unease, with ordinary spaces turned into a tightly controlled criminal maze.
Why this pick
Its damaged, isolated protagonist is drawn into a robbery he believes he can mentally master, matching The Aura’s empathy for a meticulous man caught between fantasy and danger.
Why this pick
A quiet, observant outsider turns a robbery into a private intellectual contest. The cool procedural detail and morally slippery tension echo Espinosa’s imagined perfect crime.
Why this pick
This spare neo-noir builds dread through mistaken identity, barren landscapes, and a protagonist improvising inside a criminal scheme that keeps shifting beneath him.
Why this pick
Its unnervingly restrained style and obsessive male perspective create a similarly clinical, dreamlike suspense, prioritising psychological compulsion over conventional thriller spectacle.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In neo-noir fashion ''El Aura'' narrates in the first person the hallucinating voyage of Espinoza, a quiet, cynical taxidermist, who suffers epilepsy attacks, and is obsessed with committing the perfect crime.
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02 / FACES IN THE FRAME

Esteban Espinosa

Diana Dietrich

Sontag
Uriel
Vega
The dog
Vega (voice)