Down by Law
Why this pick
Jarmusch again pairs deadpan drift, monochrome compositions, and a quietly comic outsider trio; its loose episodic momentum and affection for awkward companionship closely echo Stranger Than Paradise.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Jarmusch again pairs deadpan drift, monochrome compositions, and a quietly comic outsider trio; its loose episodic momentum and affection for awkward companionship closely echo Stranger Than Paradise.
Why this pick
A spare, black-and-white urban wandering film whose detached young drifter, chance encounters, and deliberate pauses anticipate the offbeat alienation of Stranger Than Paradise.
Why this pick
Its interlocking overnight stories preserve Jarmusch’s dry timing, music-soaked nocturnal Americana, and tender attention to travelers who seem slightly out of place everywhere.
Why this pick
Reichardt shares the unhurried observational rhythm and emotional understatement, following two old friends through a modest journey where small silences carry the weight.
Why this pick
This low-key, black-and-white debut finds humor in hesitant conversations and aimless social movement, with an intentionally rough, intimate minimalism akin to Jarmusch’s early work.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
The film is a three-act story about Willie (John Lurie), who lives in New York City, and his interactions with the two other main characters, Eva (Eszter Balint) and Eddie (Richard Edson).
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME
Airline Agent

Poker player
Girl with Hat

Willie
Eddy
Eva
Motel owner