Tapeheads
Why this pick
Shares Straight to Hell’s ragged late-1980s cult energy, deadpan criminal absurdity, music-scene attitude, and deliberately cartoonish comic violence.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Shares Straight to Hell’s ragged late-1980s cult energy, deadpan criminal absurdity, music-scene attitude, and deliberately cartoonish comic violence.
Why this pick
Alex Cox’s earlier punk-inflected desert-Los Angeles vision has the same off-kilter criminals, dry one-liners, surreal detours, and scruffy anti-establishment style.
Why this pick
A similarly stylized indie-night world: deadpan outsiders, music-driven cool, eccentric supporting characters, and a loose, nocturnal sense of danger rather than conventional plot momentum.
Why this pick
Its shambling misfit adventure, absurd criminal entanglements, desert imagery, and quotable deadpan make it a polished cousin to Straight to Hell’s comic lawlessness.
Why this pick
Three mismatched criminals drifting through a stylized, music-conscious America gives it a close character-dynamic match, with laconic humor and a wonderfully unhurried outsider rhythm.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Three hitmen, Willy, Norwood, and Simms are staying in a posh Los Angeles hotel. After failing a job, they take off in a car with a pregnant woman named Velma, who is in on their scheme. They flee to Mexico to escape the wrath of their boss, Amos Dade, and rob a bank along the way. While driving through the desert, their car breaks down. They bury their suitcase of money and begin to walk.
02 / FACES IN THE FRAME

Simms
Frank McMahon

Hives The Butler
Louise
Poncho
Sal