Keep the Lights On
Why this pick
A tender, unsentimental gay love story shaped by time, artistic life, and the ache of trying to sustain intimacy through change—close to the emotionally candid, literary melancholy of Sorry Angel.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A tender, unsentimental gay love story shaped by time, artistic life, and the ache of trying to sustain intimacy through change—close to the emotionally candid, literary melancholy of Sorry Angel.
Why this pick
Set amid the early AIDS crisis, this intimate French drama observes friendship, fear, and desire with warmth rather than melodrama. Its ensemble tenderness and historical grief resonate strongly with Sorry Angel.
Why this pick
A charged encounter between two men shifts through vulnerability, danger, and unexpected care. Campillo’s patient emotional attention and contemporary French urban atmosphere complement Sorry Angel’s openness about desire and loneliness.
Why this pick
A raw, compassionate portrait of a young man seeking affection amid precarious sex work. It matches Sorry Angel’s physical directness and refusal to simplify desire, though in a starker register.
Why this pick
For its vivid 1990s French queer milieu and AIDS-era urgency, balanced with romance, wit, and communal life. It is more political and ensemble-driven, but carries a similarly aching vitality.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
1993. Jacques (Pierre Deladonchamps) is a 39-year-old gay author living and working in Paris. He is a part-time, albeit inattentive, father to his young son Loulou, who stays with him every other night. Loulou is accustomed to his father's bouts of self-indulgent melancholy as well as his manic appreciation for the arts and his string of young lovers. At the same time, Jacques is in the process of coming to terms with his health's steady decline due to AIDS, which is simultaneously and severely affecting his ex-lover Marco. When Marco is rejected by his lover Thierry and comes to stay with Jacques, the two discuss again their intentions to commit suicide before they can be claimed by the disease. Jacques lives on the floor below his good friend Mathieu (Denis Podalydès), an older gay man and newspaper editor who regular caters to Jacques' flamboyant episodes.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

Arthur Prigent

Jacques Tondelli

Mathieu

Nadine
Marco

Pierre

Jean-Marie
Louis