cinehunch
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Andersson again builds a deadpan mosaic of meticulously framed tableaux, where private disappointments and social absurdity accumulate into bleakly funny, tender visions of collective unease.
02
Why this pick
Its fixed-camera compositions, pallid spaces and recurring figures extend the same tragicomic perspective: people endure commerce, loneliness and mortality with an almost bureaucratic helplessness.
03
Why this pick
A sequence of painterly, suspended vignettes finds sorrow and absurdity in ordinary rituals, preserving the dry humor, stylized stillness and humane cosmic pessimism of your favorite.
04
Why this pick
This cool Scandinavian satire shares the airless urban alienation and surreal institutional logic of Andersson, using immaculate surfaces and deadpan behavior to make modern life feel quietly nightmarish.
05
Why this pick
Buñuel’s elegant social nightmare similarly lets polite routines collapse into irrational group behavior, delivering mordant class satire through calm, uncanny escalation rather than conventional plotting.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
A man is standing in a subway car, his face dirty with soot. In his right hand he carries a plastic bag with documents, or rather, the charred leftovers of them. In a corridor a man is clinging desperately to the legs of the boss who just fired him. He is screaming: "I've been here for thirty years!" In a coffee shop someone is waiting for his father, who just burned his furniture company for insurance money. Traffic jams and self-flagellating stock brokers are filling up the streets while an economist, desperate for a solution to the problem of work becoming too expensive, gazes into the crystal ball of a scryer. The main men all have goals but their destinations change during the story.
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02 / FACES IN THE FRAME
Stefan
Lennart
Tomas
Uffe
