Little Big Man
Why this pick
A mordant, humane revisionist Western that dismantles frontier heroics through one man's shifting loyalties and encounters with Native communities, balancing dark comedy with the same devastating anti-militarist force.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A mordant, humane revisionist Western that dismantles frontier heroics through one man's shifting loyalties and encounters with Native communities, balancing dark comedy with the same devastating anti-militarist force.
Why this pick
Its spare pursuit structure and blistering desert landscapes expose the cruelty, confusion, and racial brutality beneath cavalry-Western conventions, with an uncompromising moral chill akin to Soldier Blue.
Why this pick
This grimy coming-of-age Western strips away romance from the frontier: vulnerable young men learn violence and exploitation in a hostile world, with period detail and skepticism toward masculine mythmaking.
Why this pick
A sharply revisionist portrait of outlaw legend that favors social tensions, awkward humanity, and sudden violence over hero worship—an offbeat but pointed challenge to familiar Western mythology.
Why this pick
A bleak, unsentimental tale of boys seduced by outlaw glamour, where Western adventure steadily gives way to moral compromise, fear, and the consequences of casual violence.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In 1877 Colorado Territory, a young woman, Cresta Lee, and young U.S. Private Honus Gant are joined together by fate when they are the only two survivors after their group is massacred by the Cheyenne. Gant is devoted to his country and duty; Lee, who has lived with the Cheyenne for two years, is scornful of Gant (she refers to him as "Soldier Blue" derisively) and declares that in this conflict she sympathizes with them. The two must now try to make it to Fort Reunion, the army camp, where Cresta's fiancé, an army officer, waits for her. As they travel through the desert with very low supplies, hiding from the Indians, they are spotted by a group of Kiowa horsemen. Under pressure from Cresta, Honus fights and seriously wounds the group's chief. Honus finds himself unable to kill the chief and the chief's own men stab him for his defeat and leave Honus and Cresta alone.
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02 / FACES IN THE FRAME
Honus Gent
Spotted Wolf
Lt. McNair

Lt. Spingarn

Pvt. Menzies
Sgt. O'Hearn

Col. Iverson

Kathy Maribel Lee, 'Cresta'