The Big Combo
Why this pick
Its corrosive crime world, hard-edged moral pressure, and stylized noir lighting closely match the lurid, dangerous mood of Slightly Scarlet.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its corrosive crime world, hard-edged moral pressure, and stylized noir lighting closely match the lurid, dangerous mood of Slightly Scarlet.
Why this pick
A sleek 1950s crime thriller with a calculating central menace, vivid color imagery, and escalating tension around ambition and deception.
Why this pick
Color-saturated visuals and a gangster-controlled city give this melodramatic crime film a similarly glossy yet bruising noir charge.
Why this pick
Phil Karlson brings forceful pacing and moral unease to a story of criminal power closing in on someone trying to live respectably.
Why this pick
For the civic-corruption thread in Slightly Scarlet, this is an unusually urgent noir about a community confronting entrenched organized crime.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
The ruthless Solly Caspar is fighting to retain control of Bay City's criminal activities when Frank Jansen (Kent Taylor), an honest man and mayoral hopeful, begins a strong anti-crime campaign. Caspar tasks his right-hand man Ben Grace to dig up some dirt on the candidate and ruin his chances of election.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

John Grace
June Lyons, Jansen's Secretary / Girlfriend
Frank Jansen, Mayoral Candidate / Mayor of Bay City

Gauss
Lenhardt, Caspar Goon
Dorothy Lyons

Solly Caspar (syndicate boss)