The Red Queen Kills Seven Times
Why this pick
Matches its ornate early-1970s giallo mood: a black-gloved killer, a pattern of threatened women, lurid colour design and a steadily accumulating mystery.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Matches its ornate early-1970s giallo mood: a black-gloved killer, a pattern of threatened women, lurid colour design and a steadily accumulating mystery.
Why this pick
A close fit for its urban paranoia, vulnerable heroine and suspect-rich murder investigation, balancing stylish violence with a brisk, clue-driven giallo rhythm.
Why this pick
Its journalist-protagonist follows a trail of ritualised attacks through sleek, disorienting spaces, delivering the same elegant visual tension and investigative pull.
Why this pick
Another 1972 giallo built around escalating murders and concealed connections, but with a more sombre, morally uneasy atmosphere beneath its procedural surface.
Why this pick
Offers black-gloved-killer suspense, inventive murder set pieces and a methodical police investigation, with Rome rendered as a cool, threatening labyrinth.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
A serial killer is on the loose, murdering certain women around the city. While travelling on a train on his honeymoon, Mario (Antonio Sabato) sees his wife brutally attacked aboard the train and after the killer gets away, the police accuse Mario of attacking his newlywed wife. Police decides to hide the fact that Giulia (Uschi Glas), Mario's wife is alive in order to protect her from the killer. Mario sets out to prove his innocence by attempting to solve the "Puzzle of the Silver Half Moons", which leads him to the hotel where he met his wife, a man name Frank Saunders, Christian Church's tour, a group of hippies and Frank's ex-mistress. The film contains some very violent murders, some shown from the point of view of the knife-wielding, black-gloved killer, as he stabs a woman in her bed, bashes in the head of a prostitute, strangles a female artist with a telephone cord, drowns a mental patient in her bathtub and even uses a power drill on one unfortunate victim. Mario must catch the real killer in order to prove his own innocence.
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02 / FACES IN THE FRAME
Anna Sartori & Maria Sartori

Elena Marchi
Lt. Palumbo
Barrett
Lt. Renzi
Hippie Girl on Couch (uncredited)
Giulia
Concetta di Rosa