The Queen of Black Magic
Why this pick
Indonesian supernatural horror that turns a reunion at an isolated orphanage into mounting family peril, with Joko Anwar’s similarly oppressive, old-school dread.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Indonesian supernatural horror that turns a reunion at an isolated orphanage into mounting family peril, with Joko Anwar’s similarly oppressive, old-school dread.
Why this pick
Its rain-soaked village, family-centered fear, folk-belief texture, and escalating uncertainty echo Satan's Slaves’ ability to make supernatural terror feel domestic and inescapable.
Why this pick
A Southeast Asian possession story grounded in family strain and local spiritual practice, patiently allowing unease to curdle into intense supernatural horror.
Why this pick
For the decaying-house atmosphere, troubled sisters, restrained pacing, and sorrowful gothic horror where the home itself seems haunted by unresolved pain.
Why this pick
A bleak, intimate supernatural nightmare about adult children returning to a failing parent’s remote home, sustained by grief, isolation, and relentless household dread.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Set in 1981, Rini lives in the outskirts of Jakarta in a decaying house with her mother, Mawarni Suwono; her wheelchair-bound grandmother, Rahma Saidah; her father, and her three younger brothers–Tony, Bondi, and Ian, who is mute. The family live amid financial hardship as her mother Mawarni is ill and bed-ridden while royalties from her former singing career have long dried up. Her mother uses a bell to signal for assistance as she is unable to yell or walk. As her health worsens, Tony sells his motorcycle and other belongings to help the family.
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02 / FACES IN THE FRAME
Batara
Darminah
Rini Suwono
Toni
Bondi
Ian

Suwono
Mawarni Suwono