The Outrage
Why this pick
A tense, dusty Western reworking of Rashomon’s conflicting testimony structure, using incompatible memories to probe violence, pride, and the elusiveness of truth.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A tense, dusty Western reworking of Rashomon’s conflicting testimony structure, using incompatible memories to probe violence, pride, and the elusiveness of truth.
Why this pick
Like Rashomon, it reconstructs a traumatic event through contradictory accounts, with an investigator gradually confronting how guilt and self-interest distort recollection.
Why this pick
A meticulously composed, psychologically charged puzzle whose changing viewpoints repeatedly recast alliances, motives, and what the viewer thought they understood.
Why this pick
A grave historical drama built from competing perspectives on the same alleged crime, scrutinizing status, gender, self-justification, and the gap between testimony and reality.
Why this pick
For Rashomon’s lingering uncertainty rather than its plot mechanics: a patient, unsettling investigation where perception, class resentment, and missing certainty keep every interpretation unstable.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
The film opens on a woodcutter (; ''Kikori'', played by Takashi Shimura) and a priest (; ''Tabi Hōshi'', Minoru Chiaki) sitting beneath the Rajōmon to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men are then summoned to testify in court, where they meet the captured bandit Tajōmaru (), who claims to have set the samurai free after encountering him in the forest.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

Tajômaru