Ley Lines
Why this pick
Miike again pairs criminal violence with displaced young men, but trades Rainy Dog’s rain-soaked isolation for a restless, bruised portrait of outsiders trying to belong in Tokyo.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Miike again pairs criminal violence with displaced young men, but trades Rainy Dog’s rain-soaked isolation for a restless, bruised portrait of outsiders trying to belong in Tokyo.
Why this pick
Its grimy urban underworld, unstable loyalties and abrupt brutality closely echo the raw, morally airless yakuza world that gives Rainy Dog its oppressive force.
Why this pick
A more feverish Miike crime film, driven by doomed cops-and-gangsters momentum, harsh city textures and a similarly confrontational sense that violence can erupt without warning.
Why this pick
For Rainy Dog’s taciturn hitman and fatalistic mood: Kitano uses long silences, deadpan pauses and sudden violence to make gangster life feel melancholy rather than glamorous.
Why this pick
Though far gentler, its nearly wordless central character and patient visual storytelling offer the same sensitivity to silence, marginal lives and fragile human attachment.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film begins with the main character, Yuuji, being fired from his yakuza syndicate. Soon he finds work for another boss solely as a pay-per-hit assassin, killing members of other syndicates. His life starts to become more complicated when an ex-girlfriend or hooker drops his son off at his house. His son, who is mute, begins to follow him, where the boy watches him shoot a man who is having lunch with his wife and infant son. Afterward, the boy follows Yuuji to a whorehouse where he waits outside. While waiting, he eats food from the garbage and befriends a puppy who is chained in the alley.
02 / FACES IN THE FRAME