Polytechnique
Why this pick
Like Out of the Blue, it treats a real mass shooting with austere restraint, fragmented perspectives, and an emphasis on shock, grief, and ordinary lives rather than sensationalism.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Out of the Blue, it treats a real mass shooting with austere restraint, fragmented perspectives, and an emphasis on shock, grief, and ordinary lives rather than sensationalism.
Why this pick
Its urgent, matter-of-fact reconstruction and ensemble focus create a similarly immersive sense of real people caught inside an unfolding catastrophe.
Why this pick
This is another tightly observed, documentary-feeling account of real violence, built through mounting confusion, community detail, and devastating emotional restraint.
Why this pick
Its detached observation of an ordinary day turning terrifying echoes Out of the Blue's refusal to offer easy explanations or exploit violence for spectacle.
Why this pick
A sober real-event drama that shares the film's procedural clarity and ethical focus on victims, survivors, and a community facing unimaginable violence.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
Aramoana, Tuesday 13 November 1990. David Gray (Aramoana massacre), an unemployed man in his 30s who lives in his parent’s small holiday home, cycles into town where he has an argument with staff at a bank over a minor issue. Unstable & angry, he returns home where he has a cache of fire-arms, including a semi-automatic rifle.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME
Garry Holden

Paul Knox
Ross Percy
Darren Buist
Darren Gibbs

Julie-Anne Bryson

Nick Harvey

David Gray