Shoplifters
Why this pick
Kore-eda again observes an improvised family with tender, patient attention, finding warmth, resilience and quiet moral complexity in children navigating adult neglect.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Kore-eda again observes an improvised family with tender, patient attention, finding warmth, resilience and quiet moral complexity in children navigating adult neglect.
Why this pick
Its child-height perspective, sunlit everyday detail and accumulating precarity echo the intimate emotional power of Nobody Knows without forcing sentimentality.
Why this pick
A fiercely empathetic view of a child carrying adult responsibilities, balancing lived-in street-level observation with anger at the systems that abandon children.
Why this pick
Like Nobody Knows, it stays close to a resourceful child in an unstable home, though its lyrical visual imagination gives hardship a more fable-like texture.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Nobody Knows tells the story of four siblings and their young mother who move into a small apartment in Tokyo. The film begins when the family is moving into a small rented apartment. Only the eldest, Akira is known to the landlord, while the youngest boy and girl, Shigeru and Yuki, hide in separate suitcases. The elder sister, Kyōko, comes separately by train. All the children have different fathers. They are not allowed to go to school or to be seen by others, and only Akira is allowed to go outside. Yet, the family seems to be happy.
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02 / FACES IN THE FRAME

福島明

福島けい子

福島京子

福島ゆき
福島茂

水口紗希

広山潤(コンビニの店員)

中延司(コンビニの店長)