The Worst Person in the World
Why this pick
A funny, tender portrait of a young woman improvising her way through love, work, and self-definition, with the same sharp comic observation beneath its breezy momentum.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A funny, tender portrait of a young woman improvising her way through love, work, and self-definition, with the same sharp comic observation beneath its breezy momentum.
Why this pick
Its quick, humane dialogue and warmly chaotic ensemble find comedy in women trying to keep impossible ambitions and fragile relationships afloat over one hectic day.
Why this pick
Carries a similarly unguarded, literate comic voice: a flawed young New Yorker navigates intimacy and adulthood with jokes that never flatten the emotional stakes.
Why this pick
For the more vulnerable side of Mistress America: an observant young woman searches for an artistic identity amid a defining, awkwardly intimate relationship.
Why this pick
Baumbach’s earlier chamber comedy shares the precise banter and post-collegiate drift, following articulate friends whose cleverness only partly protects them from uncertainty.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
College freshman Tracy Fishko (Lola Kirke) is having trouble adjusting to college life at Barnard College. She eventually meets and befriends a fellow student, Tony, and even develops a crush on him, but when he begins dating another girl called Nicolette, she feels alone again. On her mother's advice, she contacts her soon-to-be stepsister Brooke (Greta Gerwig), who also lives in New York.
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02 / FACES IN THE FRAME

Tracy Fishko
Harold
Mamie-Claire

Dylan

Anna Wheeler

Nicolette