Mary and Max
Why this pick
Elliot’s earlier handmade stop-motion tragicomedy shares the tactile melancholy, offbeat Australian sensibility, and profound compassion for lonely people finding connection amid hardship.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Elliot’s earlier handmade stop-motion tragicomedy shares the tactile melancholy, offbeat Australian sensibility, and profound compassion for lonely people finding connection amid hardship.
Why this pick
This delicately crafted stop-motion drama finds warmth, humour, and resilience in childhood trauma, using expressive miniature worlds without softening its characters’ pain.
Why this pick
For the more unsettling side of Elliot’s handmade aesthetic, this continuously transforming stop-motion fable turns domestic space and childlike figures into a haunting, emotionally raw experience.
Why this pick
A gently bittersweet animated portrait of a fading performer and an unlikely bond, told with patient visual storytelling, eccentric detail, and deep tenderness for its flawed adults.
Why this pick
Though visually very different, this animated memoir shares an unflinching but compassionate approach to grief, displacement, and survival, letting emotional truth emerge through stylised storytelling.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In 1970s Australia, Grace's life is troubled by misfortune and loss. After their mother dies during pregnancy, she and her twin brother, Gilbert, are raised by their paraplegic-alcoholic former juggler father, Percy. Despite a life filled with love, tragedy strikes anew when Percy passes away in his sleep. The siblings are forcibly separated and thrust into separate homes.
02 / FACES IN THE FRAME

Grace Puddle (voice)

James the Magistrate (voice)

Gilbert (voice)

Pinky (voice)

Ruth Appleby (voice)

Percy Pudel (voice)

Ken (voice)
Ian / Narelle (voice)