The Battle of Algiers
Why this pick
Its documentary-style photography, street-level urgency and morally fraught view of state violence closely match Medium Cool’s sense of witnessing history erupt in public space.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its documentary-style photography, street-level urgency and morally fraught view of state violence closely match Medium Cool’s sense of witnessing history erupt in public space.
Why this pick
A fierce faux-documentary about dissent and official repression, built around interviews, observation and escalating social conflict; it shares Medium Cool’s unnerving collapse of fiction into political reality.
Why this pick
Its radical analysis of race, media and institutional power makes a strong companion, combining political argument with a direct, restless 1970s urban-cinema energy.
Why this pick
This campus-protest drama carries the same period-specific volatility and generational anger, moving from communal idealism toward a blunt confrontation with police power.
Why this pick
Though fully documentary, its embedded camerawork and danger-at-close-range intensity deliver the ethical pressure and raw view of American class conflict that Medium Cool makes so visceral.
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01 / THE STORY
John Catselas is a television news cameraman. In one of the opening scenes, a group of cameramen and journalists are discussing the ethical responsibilities within their profession: when should filming a gruesome scene end and human responsibility to try to save a life begin? As viewers we are presented with issues such as violence as spectacle, political and social discontent, extreme racism, and class divisions. The film is constantly juggling documentary footage with feature film image. Among his sources, Wexler uses footage from military training camps in Illinois for military troops preparing for planned demonstrations by students and Opposition to the Vietnam War during the 1968 Democratic National Convention later that summer.
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02 / FACES IN THE FRAME

Eileen
Ruth
Frank Baker

John Cassellis
Gus

Gun Clinic Manager