CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 1969
Medea posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE1969 1h 50m ITA

IF THIS ONE STAYED WITH YOU

Movies like
Medea

DramaFantasyHistory
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CINEHUNCH / THE NEXT FRAME

Keep the feeling.

SIMILAR PICKS / A PERSONAL CONNECTION

If you loved Medea, try these.

The Color of Pomegranates poster 01

Movie / 1969 / Drama

The Color of Pomegranates

Why this pick

Like Pasolini’s Medea, it transforms ancient cultural memory into dense, ritualistic tableaux, using symbolic images, costumes, music, and deliberate theatricality rather than conventional storytelling.

The Holy Mountain poster 02

Movie / 1973 / Drama

The Holy Mountain

Why this pick

Its ceremonial imagery, sacrilegious pageantry, and boldly artificial visual world extend Medea’s taste for mythic ritual and confrontational symbolism, in a more surreal register.

The Travelling Players poster 03

Movie / 1975 / Drama

The Travelling Players

Why this pick

Angelopoulos recasts Greek myth inside modern history with an austere, processional rhythm and formal compositions, preserving the tragic weight and cultural estrangement of Medea.

Oedipus Rex poster 04

Movie / 1967 / Drama

Oedipus Rex

Why this pick

Another Pasolini reimagining of Greek tragedy, with primordial landscapes, non-naturalistic performance, and anachronistic ritual details that make antiquity feel strange and immediate.

Black God, White Devil poster 05

Movie / 1964 / Adventure / Crime / Drama / Western

Black God, White Devil

Why this pick

Its harsh landscapes, folk-religious intensity, stylized violence, and elemental characters share Medea’s sense of myth erupting through a raw, anti-naturalistic world.

CURATING YOUR NEXT FRAME

Finding the atmosphere, tension and little details that made this one stay with you.

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01 / THE STORY

A little about the film.

The first half sums up the story of Jason and the Argonauts as they travel to Medea's foreign land in search of the golden fleece. In fitting with the soundtrack (which features Iranian classic music, Japanese traditional music and other folklore pieces), Pasolini depicts Medea's people as a tribal people who perform rituals and sacrifices to secure their harvests. Their costumes and dances are based on those of Eastern European Mummers such as the Romanian Calusari ceremonies and their counterparts in the Balkans.

02 / FACES IN THE FRAME

The people who bring it to life.

Massimo Girotti

King Kresus / Creonte

Paul Jabara

Pelias