Johnny Gaddaar
Why this pick
Matches the noir-inflected Indian crime mood: an ordinary man is pulled into a tightening web of deception, with dry wit, morally compromised characters and steadily escalating suspense.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Matches the noir-inflected Indian crime mood: an ordinary man is pulled into a tightening web of deception, with dry wit, morally compromised characters and steadily escalating suspense.
Why this pick
A grounded Indian urban thriller built from patient procedural tension, sharp writing and an apparently unremarkable man whose actions command the whole narrative.
Why this pick
Offers another intelligently constructed Indian mystery, using a vividly textured city, investigative momentum and carefully rationed information to sustain unease.
Why this pick
For Manorama’s surreal edge and frustrated antihero: this is a darker, more overtly nightmarish descent into bureaucracy, paranoia and masculine self-delusion.
Why this pick
A defining off-kilter neo-noir: a rumpled investigator moves through an indifferent, morally murky world, combining deadpan humour, melancholy and an increasingly unsettling case.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film opens with a narrative about a nondescript town called Lakhot in Rajasthan, India. The narrator is Satyaveer Singh Randhawa (Abhay Deol), a down-on-his-luck public works engineer. He compares Lakhot – dry, desolate and despondent – to the general downturn in his own life. As he returns to his irritable and nagging wife Nimmi and their young son, we learn that Satyaveer has just been implicated in a small bribery scandal at work. Nimmi (Gul Panag) broods over how she wishes she had married a richer fellow. Satyaveer, an aspiring writer whose only novel Manorama sank without a trace, laments about how he had once wished to be famous but is now resigned to a banal and unremarkable existence.
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02 / FACES IN THE FRAME
Manorama

Chhaila
Bihari Lal

Satyaveer
Brij Mohan