Scum
Why this pick
Clarke’s brutally unsentimental institutional drama shares Made in Britain’s confrontational energy, social anger and refusal to soften the violence embedded in authority and delinquency.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Clarke’s brutally unsentimental institutional drama shares Made in Britain’s confrontational energy, social anger and refusal to soften the violence embedded in authority and delinquency.
Why this pick
Another ferocious Clarke portrait of British youth culture, driven by a charismatic, frightening central performance and an escalating atmosphere of tribal menace.
Why this pick
A stark, intimate British drama with similarly raw performances and a punishingly direct visual approach to violence, family rupture and male rage.
Why this pick
Its volatile working-class households, abrasive dialogue and close-up intensity echo Made in Britain’s uncompromising interest in people trapped in cycles of aggression.
Why this pick
A tough, emotionally bruising character study that finds flashes of humanity without excusing cruelty, matching the original’s rawness and social realism.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The play begins with a defiant Trevor being tried in court charged with throwing a brick through the window of a Pakistani man, Mr. Shahnawaz. He has also been charged with shoplifting from Harrods. Trevor's social worker, Harry Parker (Eric Richard) takes him to Hooper Street Residential Assessment Centre, where his punishment will be determined. The centre's deputy superintendent, Peter Clive (Bill Stewart (actor)), admits Trevor, and he's allocated a room with Errol (Terry Richards).
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02 / FACES IN THE FRAME

Trevor

Superintendent
Harry Parker

Errol

Peter Clive

Barry Giller

Policeman