Happiness
Why this pick
Solondz’s earlier companion piece shares the same painfully awkward suburban moral terrain, deadpan cruelty, and damaged family connections; its ensemble structure makes private shame feel both absurd and devastating.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Solondz’s earlier companion piece shares the same painfully awkward suburban moral terrain, deadpan cruelty, and damaged family connections; its ensemble structure makes private shame feel both absurd and devastating.
Why this pick
A cool, precisely observed portrait of family dysfunction and sexual unease, balancing period suburban surfaces with emotional vacancy and a similarly pitiless comic undertow.
Why this pick
For corrosive family reunions, socially unbearable candor, and characters who weaponize intimacy, this has a comparably sharp, cringe-laced emotional register.
Why this pick
Its long-form emotional attention and understated grief offer a gentler but similarly uncompromising look at fractured bonds, guilt, and the uneasy work of trying to remain connected.
Why this pick
Another severe Solondz fable: formally playful yet emotionally bruising, using stylization and blunt humor to examine innocence, judgment, and cruelty without offering easy comfort.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
The plot revolves around the Jordan sisters: Trish, Joy, and Helen. Joy has married Helen's former neighbor Allen Mellencamp, who continues to struggle with his compulsion to make obscene phone calls.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

Andy

Joy

Allen
Timmy

Bill

Mona

Jacqueline

Helen