Gerry
Why this pick
Its radically spare long takes, hushed soundscape, and drifting physicality create the same immersive, unsettling experience of watching someone become unreachable.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its radically spare long takes, hushed soundscape, and drifting physicality create the same immersive, unsettling experience of watching someone become unreachable.
Why this pick
Van Sant again uses floating camera movement, fragmented observation, and everyday spaces to build dread through distance rather than conventional plot momentum.
Why this pick
A dreamlike, fractured portrait of adolescent isolation, carried by ambient sound, slowed perception, and a protagonist who moves through the world in a private fog.
Why this pick
For the severe, hypnotic side of Last Days: black-and-white long takes, elemental sound, and an oppressive rhythm that turns daily life into existential atmosphere.
Why this pick
Its quiet journey through landscapes and elusive encounters shares the film's contemplative pacing and compassionate refusal to reduce inner despair to easy explanation.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
A young musician named Blake sneaks out of a rehab clinic and walks home through a forest, also swimming through a lake then lighting a fire for the night. The next day, he gets home and changes his clothes. He walks around in the house with a shotgun pointing it at his sleeping roommates Scott, Luke, Asia, and Nicole. He is greeted by Yellow Pages representative Thadeus A Thomas who talks to him about placing an ad in the upcoming book. He receives a phone call from his record company telling him that he and his band have to do another tour and that it is important they make the booked dates, but Blake hangs up. He goes upstairs and falls asleep on the floor in one of the rooms. Asia awakes and finds him asleep as two boys arrive at the door. Scott and Luke answer the door and the two boys talk to them about their church down the street. Blake changes into different clothes and leaves the house for the shed outside as the Christian boys leave.
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02 / FACES IN THE FRAME

Blake
Nicole

Record Executive
Elder Friberg #1

Luke

Asia
Detective

Grateful Dead Guy