Les Misérables
Why this pick
Like La Haine, it turns a charged French banlieue into a pressure cooker, following young people and police through mounting confrontations with urgent, street-level immediacy.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like La Haine, it turns a charged French banlieue into a pressure cooker, following young people and police through mounting confrontations with urgent, street-level immediacy.
Why this pick
A furious, visually kinetic portrait of a housing estate pushed toward collective revolt; it shares La Haine’s anger at institutional violence and its sense of spiralling inevitability.
Why this pick
Its tough, immersive French social realism and morally pressurised protagonist echo La Haine’s focus on how limited choices, status and violence shape a young man.
Why this pick
Another sharply observed view of life on Paris’s outskirts, replacing explosive momentum with intimate friendship, restless identity and the longing to escape social constraints.
Why this pick
Its single-day structure, vivid neighbourhood ensemble and escalating racial tension make it a close emotional cousin to La Haine, balancing humour, camaraderie and dread.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film depicts approximately 20 consecutive hours in the lives of three friends in their early twenties from immigrant families living in an impoverished multi-ethnic French housing project (a ZUP'''') in the suburbs of Paris, in the aftermath of a riot. History of the Jews in France Vinz (Vincent Cassel) is filled with rage. He sees himself as a gangster ready to win respect by killing a police officer, manically practising the role of Travis Bickle from the film ''Taxi Driver'' in the mirror secretly. His attitude towards police is a simplified, stylized blanket condemnation, also to individual police officers who make an effort to steer the trio clear of troublesome situations. Hubert (Hubert Koundé) is an Afro-French boxer and small-time drug dealer, the most mature of the three, whose gymnasium was burned in the riots. The quietest, most thoughtful and wisest of the three, he sadly contemplates the ghetto and the hate around him. He expresses the wish to leave his world of violence and hate behind, but does not know how since he lacks the means to do so. SaïdSayid in some English subtitles(Saïd Taghmaoui) is an Arab Maghrebis who inhabits the middle ground between his two friends' responses to their place in life.
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02 / FACES IN THE FRAME

Vinz

Saïd
Hubert

Benoît

Le jeune skinhead

Le chef de la police

Gallery girl

Darty