Kirikou and the Sorceress
Why this pick
The essential Kirikou adventure shares the same spare, storybook African-inspired visual world, gentle ingenuity, animal encounters and oral-folktale rhythm.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
The essential Kirikou adventure shares the same spare, storybook African-inspired visual world, gentle ingenuity, animal encounters and oral-folktale rhythm.
Why this pick
Another episodic return to Kirikou’s village, built from compact fables that celebrate curiosity, courage, community and the natural world.
Why this pick
Michel Ocelot again uses a collection of concise fairy tales, here with luminous silhouette animation, playful magic and a soothing bedtime-story cadence.
Why this pick
It retains Ocelot’s ornate folk-art imagination and childlike sense of adventure, following a warm-hearted quest through a richly patterned fairy-tale world.
Why this pick
A delicate French animated fable with stylised artwork, a compact quest and an inviting storybook tone that values empathy over spectacle.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film is a sub-story to ''Kirikou and the Sorceress'' rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like ''Princes et Princesses'' and ''Les Contes de la nuit'', it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).
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02 / FACES IN THE FRAME

Les animaux