CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 2006
I'm a Cyborg, But That's OK posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE2006 1h 45m KOR

IF THIS ONE STAYED WITH YOU

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I'm a Cyborg, But That's OK

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CINEHUNCH / THE NEXT FRAME

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SIMILAR PICKS / A PERSONAL CONNECTION

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Castaway on the Moon

Why this pick

A tender, eccentric Korean romance about two isolated people building connection through elaborate private rituals; it shares Cyborg’s buoyant visual imagination and compassionate view of unconventional minds.

The Science of Sleep poster 02

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The Science of Sleep

Why this pick

Its handmade dream logic, awkward courtship, and lovingly tactile inventions echo the playful way Cyborg turns fractured perception into a vivid, gentle romantic world.

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The Bothersome Man

Why this pick

This deadpan, meticulously stylized surrealism similarly lets an emotionally estranged protagonist navigate an absurd system, though with a cooler and more unsettling edge than Cyborg.

Tampopo poster 04

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Tampopo

Why this pick

Like Cyborg, it uses episodic whimsy, heightened design, and sincere oddballs to make everyday needs feel fantastical, while retaining an unexpectedly warm human core.

The Taste of Tea poster 05

Movie / 2004 / Comedy / Drama

The Taste of Tea

Why this pick

A family’s inner lives bloom into quiet visual absurdity in this gentle, unhurried Japanese fable—an excellent match for Cyborg’s affectionate surrealism and offbeat emotional texture.

CURATING YOUR NEXT FRAME

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01 / THE STORY

A little about the film.

The film takes place mostly in a mental institution filled with an eclectic menagerie of patients. Young-goon, a young woman working in a factory constructing radios and who believes herself to be a cyborg, is institutionalized after Self-harm and connecting it with a power cord to a wall outlet in an attempt to "recharge" herself, an act that is interpreted as a suicide attempt. Her delusion is characterized by refusing to eat (she instead licks batteries and attempts to administer electric shocks to herself), conversing almost solely with machines and electrical appliances and obsessively listening to her vacuum tube radio at night for instruction on how to become a better cyborg. Her apathetic mother is interviewed by the institute's head doctor, to determine the roots of Young-goon's psychosis; despite claiming ignorance of her daughter's delusion (it is later learnt she knew but was too busy to make her seek help), she reveals that Young-goon's mentally ill grandmother had previously been institutionalized for delusions of being a mouse, a trauma that sparks Young-goon's own lapses from reality. As a result, she frequently fantasizes of finding her grandmother and seeking revenge on the "men in white" who took her away.

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02 / FACES IN THE FRAME

The people who bring it to life.

Jung Ji-hoon

Jung Ji-hoon

Park Il-soon

Im Soo-jung

Im Soo-jung

Cha Young-goon