When We Leave
Why this pick
A harrowing German-Turkish family drama that shares Head-On’s urgent emotional intensity and its unflinching view of a woman fighting restrictive expectations.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A harrowing German-Turkish family drama that shares Head-On’s urgent emotional intensity and its unflinching view of a woman fighting restrictive expectations.
Why this pick
Its rebellious young women, familial confinement, and fiercely lived-in energy echo the conflict between personal freedom and social control that powers Head-On.
Why this pick
Fatih Akin again pairs a bruising, volatile central performance with an intimate portrait of grief, rage, and a life pushed beyond endurance.
Why this pick
A more reflective Akin drama, but with the same cross-border Turkish-German world, damaged people, and profound feeling shaped by chance and separation.
Why this pick
It replaces Head-On’s punk volatility with moral pressure, but similarly turns an intimate relationship into a gripping collision of desire, family, and social rules.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Cahit Tomruk is a Turks in Germany in his 40s. He has given up on life after the death of his wife and seeks solace in cocaine and alcohol (drug). One night, he intentionally drives his car head-on into a wall and barely survives. At the psychiatric clinic he is taken to, Sibel Güner, another Turkish German who has tried to commit suicide, approaches him. She asks Cahit to carry out a formal marriage with her so that she can break out of the strict rules of her conservative family. Cahit is initially turned off by the idea, but then he agrees to take part in the plan.
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02 / FACES IN THE FRAME

Cahit Tomruk

Sibel Güner

Maren

Seref

Selma
Busfahrer

Barmann Istanbul

Taxifahrer