The Square
Why this pick
Its immaculate upper-class world is punctured by social cruelty, public embarrassment and mordant humour, with a similarly cool, observational distance.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its immaculate upper-class world is punctured by social cruelty, public embarrassment and mordant humour, with a similarly cool, observational distance.
Why this pick
A precise, glacially controlled portrait of familial neglect and emotional vacancy, observing domestic collapse without offering easy comfort.
Why this pick
A formal family gathering becomes an excruciating excavation of bourgeois denial, combining escalating discomfort with bleakly comic social observation.
Why this pick
Like Happy End, it anatomises a privileged family after a shocking rupture, using long silences and painfully funny behavioural details.
Why this pick
Haneke’s unnervingly composed frames and recordings-within-recordings turn domestic comfort into a study of surveillance, guilt and evasive self-image.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film starts with clips secretly filmed with a smartphone by Eve Laurent, a teenager, showing her mother and overlaid with text messages from Eve saying that her mother is selfish and uncaring. The last clip shows Eve's mother unconscious and Eve admitting that she poisoned her with sedatives.
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02 / FACES IN THE FRAME

Anne Laurent

Thomas Laurent

Jamila
Bourgeois

Lawrence Bradshaw

Le coiffeur

Éve Laurent