Taste of Fear
Why this pick
Its poised, black-and-white British Gothic style turns psychological instability and suspicious appearances into steadily tightening, elegant suspense.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its poised, black-and-white British Gothic style turns psychological instability and suspicious appearances into steadily tightening, elegant suspense.
Why this pick
Another John Brahm Victorian thriller, it shares Hangover Square’s shadowy London, feverish menace, and sympathy for a protagonist caught under suspicion.
Why this pick
A compact noir nightmare of identity, confinement, and mounting dread, photographed with the same richly oppressive mid-1940s atmosphere.
Why this pick
Tourneur’s gaslit period thriller similarly makes domestic respectability feel dangerous, building tension through fragile memory, psychological pressure, and velvety shadows.
Why this pick
This severe British noir matches the taste for cultivated surfaces concealing obsession and crime, with suspense shaped by a criminal mind under strain.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In Edwardian era London, in the summer of 1903, a Scottish shopowner in Fulham is stabbed to death and his shop set on fire by distinguished composer George Harvey Bone (Laird Cregar), who stumbles out onto the street in a stupor. George eventually makes his way back the next night to his English basement at 12 Hangover Square in Chelsea, London to find his girlfriend Barbara Chapman (Faye Marlowe) and her father Sir Henry Chapman (Alan Napier) inside. George admits privately to Barbara that there is "a whole day missing" from his memory. The newspaper has stories of the murder and fire, and George goes to see Dr. Allan Middleton (George Sanders) who works at Scotland Yard. Bone tells Middleton that when he is stressed or overworked he suffers from periods of amnesia brought on by discordant sounds. Middleton's advice is to go out among ordinary people and observe how they work and recreate.
02 / FACES IN THE FRAME
Eddie Carstairs

Sir Henry Chapman

Netta Longdon

Dr. Allan Middleton