The World, the Flesh and the Devil
Why this pick
Like Five, it uses a nearly deserted post-catastrophe America to make loneliness, survival, and the fragile possibility of rebuilding human connection more important than spectacle.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Five, it uses a nearly deserted post-catastrophe America to make loneliness, survival, and the fragile possibility of rebuilding human connection more important than spectacle.
Why this pick
A haunting, character-focused apocalypse film that shares Five's fascination with the psychological weight of apparent last-survivor isolation and the moral uncertainty of finding other people.
Why this pick
For Five's atomic-age dread and documentary-like austerity: this British disaster drama treats global catastrophe as a tense, human-scale breakdown rather than an effects showcase.
Why this pick
Another lean early nuclear-apocalypse picture, driven by ordinary people improvising survival amid social collapse and an ominously plausible post-blast America.
Why this pick
Its severe monochrome imagery and bleak post-nuclear wanderings extend Five's stripped-down, contemplative approach to a world where human contact has become strange and precarious.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
Roseanne Rogers (Susan Douglas Rubeš) trudges from place to place, searching for another living human being. A ''Mountain News'' headline reports a scientist's warning that detonating a new type of atomic bomb could cause the extinction of humanity.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

Michael
Roseanne Rogers
Charles
Eric