Lost Embrace
Why this pick
Burman’s earlier Buenos Aires dramedy shares Family Law’s wry first-person intimacy, Jewish family texture, and a young man’s tentative effort to understand himself through his father.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Burman’s earlier Buenos Aires dramedy shares Family Law’s wry first-person intimacy, Jewish family texture, and a young man’s tentative effort to understand himself through his father.
Why this pick
Another finely observed Burman portrait of a son drawn back into his father’s orbit, balancing neighborhood detail, deadpan humor, and quietly accumulating emotional insight.
Why this pick
Its gentle, literate look at marriage, parenthood, and changing family roles carries the same unhurried Buenos Aires rhythm and compassionate comic melancholy.
Why this pick
A warm, bittersweet Argentine character study rooted in Jewish family history; its humor and sentiment stay grounded in small gestures rather than grand melodrama.
Why this pick
Its Buenos Aires setting and understated comic sensibility turn an unlikely connection into a humane study of loneliness, routine, and the difficulty of saying what matters.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film tells the story of Ariel Perelman. While he has an easygoing lifestyle, he's trying to find his way in life in Buenos Aires, Argentina. He works at a university as a law professor. The film begins with a long narration of the way things stand in his life. He describes his father, Bernardo Perelman, in detail. Perelman, as he's known, is a popular public defender who meets his clients where they work or in restaurants so he can determine what they are "all about." Most of his clients are generally poor. He's very close to his secretary since his wife died fifteen years ago. Work fills Perelman's days, and Ariel is astonished by his energy.
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02 / FACES IN THE FRAME

Ariel Perelman
Bernardo Perelman
Norita

Sandra