The Third Murder
Why this pick
Kore-eda again examines moral uncertainty and the unknowability of another person. Its measured interrogations and shifting testimony sustain tension without sacrificing the director’s humane, reflective calm.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Kore-eda again examines moral uncertainty and the unknowability of another person. Its measured interrogations and shifting testimony sustain tension without sacrificing the director’s humane, reflective calm.
Why this pick
A patient, haunted Japanese drama about survivors trying to coexist after collective trauma. Its spacious pacing, fragmented emotional recovery, and attention to landscapes echo Distance’s aftermath rather than its event.
Why this pick
Its intimate encounters with bereavement unfold through silence, physical environment, and unforced feeling. Kawase shares Kore-eda’s trust in ambiguity and in the emotional weight of time passing.
Why this pick
A composed domestic drama in which a visitor exposes submerged guilt and damage. Its cool framing, gradual unease, and refusal of easy judgment suit Distance’s interest in complicity and aftermath.
Why this pick
Kawase turns a family’s long-buried loss into a tactile portrait of memory, ritual, and a close-knit community. The film’s drifting camera and quiet emotional openness complement Distance’s meditative approach.
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01 / THE STORY
Members of a cult, modeled on Aum Supreme Truth, sabotage a city's water supply, then commit mass suicide near the shores of a lake. Family members (the credited cast, minus Asano) of the perpetrators meet at the lake to observe the anniversary of their loved ones' deaths. They meet a former member of the cult (Asano), who had trained for the water sabotage attack but defected at the last minute. After realizing their vehicles were missing, Asano leads them to the cabin where he and the deceased cult members had trained for the attack, and they pass the night reminiscing about those they'd known and lost, shown cinematically through improvised dialogues and flashbacks. Sakata, the aforementioned surviving cult member and last to see most of the departed alive, and Atsushi (Arata) interrogate one another about Yûko (played by actress/model (person) Ryo (actress)), Atsushi's sister, whom Sakata had asked to run away with him the night before the attack.
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02 / FACES IN THE FRAME

Atsushi

Yûko

Masaru

Makoto

Kiyoka

Sakata

Tamaki (Kiyoka's husband)

Miyamura