Turkey Shoot
Why this pick
The same director brings another abrasive, vividly Australian future nightmare: state-sanctioned cruelty, garish exploitation energy, and a fierce anti-authoritarian escape drive.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
The same director brings another abrasive, vividly Australian future nightmare: state-sanctioned cruelty, garish exploitation energy, and a fierce anti-authoritarian escape drive.
Why this pick
A grimy near-future school becomes a pressure cooker of youth violence and failed authority, with the same confrontational punk-era mood and social-collapse anxiety.
Why this pick
Its stripped-down urban dystopia, decaying infrastructure, hostile factions, and coolly cynical outsider hero offer a more polished but similarly bleak vision of containment and escape.
Why this pick
This scrappy Italian exploitation dystopia shares the graffiti-streaked wasteland look, youth gangs, social abandonment, and pulpy momentum of Dead End Drive-In.
Why this pick
A stylized, industrial-punk future of scavenged machines and authoritarian paranoia, driven by music-video grime and tactile low-budget imagination rather than clean sci-fi polish.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In the near future, the economy has collapsed and massive crime waves sweep the inner city. The manufacturing industry has shrunk to the point where cars are a commodity and parts are fought over between salvage companies and roving gangs. In an attempt to control the crime-wave, a chain of drive-in theatres are turned into concentration camps for the undesirable and unemployed youth. The dirty, graffiti-laden drive-ins are surrounded by high fences, and the roads leading to them are Security Roads ("S-Roads") that do not allow walking under any circumstances. Police collaborate with the owner to sabotage cars of unsuspecting visitors; however, some who know the true nature of the drive-ins come voluntarily for the shelter and food. Broken cars are continuously collected at these facilities. The prisoners are allowed easy access to a wide variety of drugs, alcohol, junk food, exploitation films, and new wave music. This, coupled with the awful conditions on the outside, engineers an atmosphere of complacency and hopelessness so the inmates will accept their fate and not attempt escape.
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02 / FACES IN THE FRAME
Thompson
Hazza
Dave
Beth
Mickey
Don
Drive-In cop
TV newsreader