This Is Not a Film
Why this pick
Its intimate, rule-bound apartment setting and porous line between lived reality and cinematic construction make it a close companion to Closed Curtain’s restrained, defiant formal play.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its intimate, rule-bound apartment setting and porous line between lived reality and cinematic construction make it a close companion to Closed Curtain’s restrained, defiant formal play.
Why this pick
A deceptively casual journey through Tehran becomes a sharply observant, self-aware work about performance, surveillance, and the freedoms that cinema can improvise.
Why this pick
Less claustrophobic but equally precise, Panahi’s debut finds suspense and emotional weight in ordinary obstacles, using real streets and small encounters with remarkable tenderness.
Why this pick
Built from fixed, confined car conversations, this rigorously minimal Iranian drama shares Closed Curtain’s interest in framing, social constraint, and the unstable border between observation and performance.
Why this pick
Its hushed domestic isolation, obscured faces, and patient visual language transform a house into a haunted space of absence, grief, and uncertain reality.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
An unnamed screenwriter (Kambozia Partovi) arrives at a secluded three-story villa on the Caspian Sea. He secretly brings along his pet dog named "Boy". Dogs are considered unclean under Islamic rule and the writer intends to hide "Boy" from authorities as he tries to get some writing done. The writer shaves his head to disguise his identity and covers all the windows in the villa with black, opaque material.
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