Used Cars
Why this pick
Its fast-talking, ethically elastic car salesman turns dealership chaos into a breathless comic scramble, closely matching Cadillac Man’s sales-floor desperation and escalating farce.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its fast-talking, ethically elastic car salesman turns dealership chaos into a breathless comic scramble, closely matching Cadillac Man’s sales-floor desperation and escalating farce.
Why this pick
A tightly wound urban nightmare-comedy in which one man’s already frazzled evening spirals through increasingly absurd trouble, with the same pressured, darkly comic momentum.
Why this pick
For Cadillac Man’s work-pressure engine: desperate salesmen, impossible quotas, bruised egos, and volatile competition, played as tense ensemble drama rather than broad farce.
Why this pick
Its restless New York energy, impulsive hustlers, romantic complications, and looming mob danger echo the harried criminal-comic squeeze around Joey O’Brien.
Why this pick
A biting late-1980s/early-1990s black comedy about career humiliation and social pressure, with an escalating mix of workplace frustration and morally crooked wish fulfillment.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Queens Automobile salesperson Joey O'Brien (Robin Williams) must deal with the ever-increasing pressures in his life: he has an ex-wife demanding alimony, a daughter who is missing, a married mistress (lover) (Fran Drescher) and a single mistress (Lori Petty) who are both desperately in love with him, and a two-day deadline to either sell twelve cars or lose his job. In addition, he has an outstanding loan to a American Mafia Boss (crime) which he must either quickly repay, or lose his life.
02 / FACES IN THE FRAME

Tina
Harry Munchack

Helen the Dim Sum Girl

Donna

Lila

Little Jack Turgeon

The Widow

Joey O'Brien