CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 1971
Bushman posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE1971 1h 13m USA

IF THIS ONE STAYED WITH YOU

Movies like
Bushman

DocumentaryDramaIndie
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CINEHUNCH / THE NEXT FRAME

Keep the feeling.

SIMILAR PICKS / A PERSONAL CONNECTION

If you loved Bushman, try these.

Killer of Sheep poster 01

Movie / 1978 / Drama

Killer of Sheep

Why this pick

Burnett’s lyrical, episodic portrait of Watts shares Bushman’s intimate, low-budget realism, social consciousness, and ability to make urban life feel both ordinary and politically charged.

The Exiles poster 02

Movie / 1961 / Drama

The Exiles

Why this pick

This nocturnal independent landmark follows young Native Americans navigating Los Angeles with the same semidocumentary immediacy, cultural displacement, and alertness to city life found in Bushman.

Touki Bouki poster 03

Movie / 1973 / Drama

Touki Bouki

Why this pick

A restless Senegalese modernist film about young people imagining escape, it complements Bushman’s postcolonial perspective through bold urban imagery, fractured energy, and ambivalence toward the West.

The Spook Who Sat by the Door poster 04

Movie / 1973 / Action / Drama / Crime

The Spook Who Sat by the Door

Why this pick

Its sharper genre framework still carries Bushman’s era-specific urgency: a rare Black independent vision confronting racial power, assimilation, and radical possibility in America.

Sambizanga poster 05

Movie / 1972 / Drama

Sambizanga

Why this pick

This spare Angolan anti-colonial drama shares Bushman’s politically lucid African viewpoint and humane focus on how historical violence is registered through individual lives and communities.

CURATING YOUR NEXT FRAME

Finding the atmosphere, tension and little details that made this one stay with you.

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01 / THE STORY

A little about the film.

1968. In Nigeria, the Civil War is entering its second year. In San Francisco, Gabriel, a young Nigerian reflects tribal, personal, and racial frictions during the tumultuous sixties. As Gabriel attends San Francisco State College, we are immediately struck by the exciting juxtaposition of African outlooks and California urban life. For the first time in American cinema, an educated African elucidates in a no-nonsense manner the bewildering ineptness of American society to live humanistically.

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