Killer of Sheep
Why this pick
Burnett’s lyrical, episodic portrait of Watts shares Bushman’s intimate, low-budget realism, social consciousness, and ability to make urban life feel both ordinary and politically charged.
THE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Burnett’s lyrical, episodic portrait of Watts shares Bushman’s intimate, low-budget realism, social consciousness, and ability to make urban life feel both ordinary and politically charged.
Why this pick
This nocturnal independent landmark follows young Native Americans navigating Los Angeles with the same semidocumentary immediacy, cultural displacement, and alertness to city life found in Bushman.
Why this pick
A restless Senegalese modernist film about young people imagining escape, it complements Bushman’s postcolonial perspective through bold urban imagery, fractured energy, and ambivalence toward the West.
Why this pick
Its sharper genre framework still carries Bushman’s era-specific urgency: a rare Black independent vision confronting racial power, assimilation, and radical possibility in America.
Why this pick
This spare Angolan anti-colonial drama shares Bushman’s politically lucid African viewpoint and humane focus on how historical violence is registered through individual lives and communities.
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01 / THE STORY
1968. In Nigeria, the Civil War is entering its second year. In San Francisco, Gabriel, a young Nigerian reflects tribal, personal, and racial frictions during the tumultuous sixties. As Gabriel attends San Francisco State College, we are immediately struck by the exciting juxtaposition of African outlooks and California urban life. For the first time in American cinema, an educated African elucidates in a no-nonsense manner the bewildering ineptness of American society to live humanistically.
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