CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 2001
Baran posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE2001 1h 30m IRN

IF THIS ONE STAYED WITH YOU

Movies like
Baran

Drama
IMDbView on IMDb
CINEHUNCH / THE NEXT FRAME

Keep the feeling.

SIMILAR PICKS / A PERSONAL CONNECTION

If you loved Baran, try these.

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The Song of Sparrows

Why this pick

Majidi returns to working-class life with the same patient, tactile observation and quiet moral tenderness, letting small acts of sacrifice carry the emotional weight.

The Color of Paradise poster 02

Movie / 1999 / Drama / Family

The Color of Paradise

Why this pick

Its luminous rural imagery and compassionate attention to a vulnerable young person echo Baran’s spiritual humanism and preference for feeling over overt melodrama.

Children of Heaven poster 03

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Children of Heaven

Why this pick

A modest everyday problem becomes deeply moving through Majidi’s unhurried storytelling, economic detail, and empathy for children navigating hardship with dignity.

At Five in the Afternoon poster 04

Movie / 2003 / Drama

At Five in the Afternoon

Why this pick

It shares Baran’s concern for Afghan lives on the margins, balancing social reality with poetic imagery and a restrained, hopeful emotional current.

A Time for Drunken Horses poster 05

Movie / 2000 / Drama

A Time for Drunken Horses

Why this pick

This spare Kurdish drama finds immense tenderness in precarious labor and family obligation, with a wintry realism close to Baran’s harsh yet compassionate world.

CURATING YOUR NEXT FRAME

Finding the atmosphere, tension and little details that made this one stay with you.

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01 / THE STORY

A little about the film.

It is winter in Teheran. Lateef is 17. He works at a building construction site managed by Memar, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.

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02 / FACES IN THE FRAME

The people who bring it to life.

Christopher Maleki

Hassan