The Proposition
Why this pick
A stark, morally burdened outlaw drama with tactile dust, violence at the edges, and a mournful fatalism close to Ain’t Them Bodies Saints.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A stark, morally burdened outlaw drama with tactile dust, violence at the edges, and a mournful fatalism close to Ain’t Them Bodies Saints.
Why this pick
It shares the intimate criminal stakes and faded rural Americana, balancing brotherly devotion, pursuit, and a wistful sense that escape may come too late.
Why this pick
This offbeat, sun-drenched romance finds tenderness amid uncertainty and danger, with an unvarnished physicality and youthful devotion that fit Lowery’s lovers-on-the-run mood.
Why this pick
A lean Southern drama driven by inherited violence, silences, and family loyalty; its restrained storytelling lets landscape and unresolved feeling carry the tension.
Why this pick
Lowery returns to romanticized criminal lives with a gentler, autumnal rhythm, using precise period detail and quiet affection instead of heist-movie momentum.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Ruth Guthrie is walking across a field and is followed by Bob Muldoon, who tries to dissuade Ruth from leaving him to return to her mother's. Ruth is adamant and reveals that she is angry because Bob told Freddy that he was going to 'strike out on his own'. Bob says this isn't the case. Ruth reveals she is pregnant, and they reconcile.
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02 / FACES IN THE FRAME

Ruth Guthrie

Bob Muldoon

Bear

Freddy
Mary
Midwife #1

Patrick Wheeler
Skerritt's Friend