The Servant
Why this pick
Losey and Pinter again turn a confined English household into a coolly stylised arena of class warfare, sexual menace and shifting power.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Losey and Pinter again turn a confined English household into a coolly stylised arena of class warfare, sexual menace and shifting power.
Why this pick
Its immaculate period surfaces conceal desire, status cruelty and emotional damage, unfolding with the same measured, observant chill.
Why this pick
A dislocated couple enters an elegant, oppressive world of erotic unease; the film sustains a polished, ominous ambiguity rather than offering easy psychology.
Why this pick
Bertolucci pairs exquisitely controlled images with moral cowardice, sexual repression and a protagonist whose polished life masks profound rot.
Why this pick
Chabrol’s precise, unsentimental gaze on class and concealed hostility has a similarly calm surface, incremental dread and devastating social cruelty.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Stephen, a married Oxford tutor in his forties, has two students: the rich and likeable William, of whom he is fond, and a beautiful, enigmatic Austrian named Anna, whom he secretly covets. William also fancies Anna and hopes to know her better. Stephen, while his wife is away having their third child, looks up an old flame in London and they sleep together. Returning home, he finds that his pushy colleague Charley has broken in and is using it for sex with Anna. Her tryst discovered, she tells Stephen privately that she is getting engaged to William. Excited at his good fortune, William says he will call round to Stephen's house after a party that night. As William is too drunk to drive, Anna takes the wheel and crashes the car outside Stephen's gate. Upon finding the accident and William dead, Stephen pulls the deeply shaken Anna from the wreckage and hides her upstairs while he calls the police. When they have gone, he forces himself on her although she is still in shock and then takes her back to her rooms. He comes by in the morning to find a bemused Charley who cannot prevent Anna from packing to go back to Austria.
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02 / FACES IN THE FRAME

Rosalind
Provost
Laura
Police Sergeant

Ted

Charley

William
Plainclothes Policeman