The Stolen Man
Why this pick
A similarly intimate Argentine indie, shaped by wandering encounters, dry humour and the small emotional shifts of people navigating attraction and uncertainty.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A similarly intimate Argentine indie, shaped by wandering encounters, dry humour and the small emotional shifts of people navigating attraction and uncertainty.
Why this pick
Its unvarnished performances, hesitant romantic choices and gently awkward everyday rhythm closely complement Ana Katz’s bittersweet, observational approach.
Why this pick
For the same Argentine deadpan sensibility: emotionally off-kilter characters, understated comic timing and a relaxed narrative that finds poignancy in disconnection.
Why this pick
Another finely textured Buenos Aires film built around chance meetings, playful dialogue and shifting intimacies rather than conventional plot momentum.
Why this pick
Its loose, conversational structure and unresolved attractions offer the same pleasure in watching people fumble through connection without forcing tidy emotional answers.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
A romantic holiday has left Ines all alone.
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02 / FACES IN THE FRAME

Inés

Germán

Miguel
Pablo
Lorena

Andrea
Sonia (as Silvina Sabater)
Empleado Locutorio