Floating Weeds
Why this pick
Ozu revisits the travelling-theatre setting with richer colour and an equally delicate focus on concealed parenthood, professional pride, and the melancholy of lives in transit.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Ozu revisits the travelling-theatre setting with richer colour and an equally delicate focus on concealed parenthood, professional pride, and the melancholy of lives in transit.
Why this pick
Its drifting workers, modest inns, and quietly accumulating acts of care share Ozu’s humane attention to ordinary routines and impermanence.
Why this pick
A restrained family drama in which small domestic encounters carry emotional weight, balancing warmth, disappointment, and the pressure of unspoken obligations.
Why this pick
Like the kabuki world in Ozu’s film, its consciously theatrical staging turns performance into a moving meditation on family duty, poverty, and transience.
Why this pick
For the travelling-show undercurrent and flawed patriarch: a more unruly, earthy portrait of a marginal entertainer’s family entanglements and uneasy tenderness.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film starts with a travelling kabuki troupe arriving by train at a provincial seaside town. Kihachi Ichikawa (Takeshi Sakamoto), the head of the troupe, is a very popular actor. He takes time off to visit a former mistress Otsune (Chouko Iida), with whom he had a son years before. His son, now a student, does not know that Kihachi is his father, thinking him an uncle. Kihachi and his son, Shinkichi, spend a fruitful afternoon fishing for dace in a nearby river.
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