Still Walking
Why this pick
Like A Simple Life, it finds profound feeling in everyday care, meals, and family obligation, observing ageing and unspoken affection with patient, unsentimental warmth.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like A Simple Life, it finds profound feeling in everyday care, meals, and family obligation, observing ageing and unspoken affection with patient, unsentimental warmth.
Why this pick
A quiet, deeply humane portrait of an older woman facing declining health and moral responsibility, told with the same restrained pacing and compassionate attention to dignity.
Why this pick
Ann Hui's gentle Hong Kong companion piece shares the unforced naturalism and tenderness of A Simple Life, following an ordinary mother and son through routines that reveal enduring devotion.
Why this pick
Its calm domestic compositions and delicate humour make changing family roles and later-life loneliness quietly moving rather than melodramatic.
Why this pick
Its close observation of a Singaporean family's bond with their live-in domestic helper echoes A Simple Life's tenderness toward labour, class, and affection that exceeds formal family roles.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Roger Leung (Andy Lau), an unmarried middle aged Hong Kong film producer, lives with Chung Chun-to (Deanie Ip), a maidservant who has worked for his family for decades. Returning home after a business trip, Roger discovers Chung on the floor and calls for an ambulance. At the hospital, Roger discovers that Chung has had a stroke but rather than ask for rehabilitation, Chung decides she wants to retire and asks to be put in a nursing home. While looking for a nursing home, Roger discovers one nearby that is owned by his friend. He installs Chung there and visits her in between his production jobs. While visiting To, he tells her friends and neighbours that he is her god son in order to explain their connection.
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02 / FACES IN THE FRAME
Auntie Kam's daughter
Dentist

Ms Choi

Roger

Grasshopper

Director Hung