The Go-Between
Why this pick
Like A Month in the Country, it finds buried adult sorrow beneath an idyllic English summer, using landscape, memory and a restrained pace to make fleeting intimacy quietly devastating.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like A Month in the Country, it finds buried adult sorrow beneath an idyllic English summer, using landscape, memory and a restrained pace to make fleeting intimacy quietly devastating.
Why this pick
This elegiac period drama shares the English countryside’s tactile beauty and an awareness that a tranquil, ordered world is shadowed by war, class and impending loss.
Why this pick
Its restorative landscape and patient attention to damaged people healing through care, labour and seasonal change echo the gentle therapeutic movement of A Month in the Country.
Why this pick
An excavation on the eve of war becomes a hushed meditation on craft, grief and impermanence. It shares the original’s reverence for uncovering the past and for rural light.
Why this pick
Another delicately observed English period piece, shaped by a brief summer attachment, rural seclusion and the ache of feelings held back rather than plainly declared.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Set in 1920, the film follows the experiences of Tom Birkin (Colin Firth), who has been employed under a bequest to carry out restoration work on a Medieval mural discovered in a church in the small rural community of Oxgodby, Yorkshire. The escape to the idyllic countryside is cathartic for Birkin, haunted by his experiences in World War I. Birkin soon fits into the slow-paced life of the remote village, and over the course of a summer uncovering a painting begins to lose his trauma-induced stammer and tics.
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02 / FACES IN THE FRAME
Colonel Hebron

Douthwaite
Mossop
Mrs Ellerbeck
Lucy Sykes
Mrs Sykes
Mr Sykes
Emily Clough